Gwen Stefani’s LAMB 2010 Spring Collection

Designer Clothes – Don’t give Gwen Stefani any guff about the validity of celebrity clothing lines: Not only has she been successfully plying her trade for seven years now, but she pointedly didn’t name the label after herself, because she wanted people to buy the clothes for their own merits and not “because of me.” (But, really, who wouldn’t want to look as good as Gwen does in clothes?)

Spring found Stefani mixing African and eighties-pop references (think Bow Wow Wow and Bananarama) with some rock-chick edge, natch. Besides the requisite biker jacket (in white leather), there were lots of zippers and tarty (in a good way) off-the-shoulder dresses and tunics, and one very mini pleated kilt (can you say Harajuku girl?). Harem pants, washed-silk cargo pants, and diaper dresses added a softness and ease to the line and demonstrated that it does indeed have relevance beyond smoky, poorly lit music venues that smell of stale beer—and can stand on its own outside in the bright, daylight world.

Source: Style.com

Gwen Stefani’s LAMB 2010 Spring Collection

John Galliano 2010 Spring Collection

Designer Clothes – This season, there’s been obsessive talk about the possibilities of making fashion events public via revolutionary digital technologies, so it takes an extra-special mustering of talent to remind everyone how unique an experience a great show can be in real time, witnessed on the spot. For Spring, John Galliano did just that, conjuring up a magical scenario on a laser-lit runway, upon which floating bubbles descended and then—poof!—evaporated into vapor. It created a dreamy parallel world for one of his best collections in a long time: a show poignantly evoking the era when the heroines of silent movies were facing their career demise.

“It came from a research trip to L.A.,” Galliano said. “I went around the old houses of Hollywood and imagined how stars like Tallulah Bankhead, Lillian Gish, and Mary Pickford lived.” It gave him an ideal justification for playing to his strengths in poetically glamorous chiffon; bias-cut little nothings; fragile, delightful plissé puff-shouldered blouses and bed jackets; and coats symbolically decorated with clusters of flowers made out of film gel. Galliano’s color sense—the ice blues, silver lamés, powder pinks, and lemons—was exquisite; it was his fashion version of Sunset Boulevard.

This, of course, is the romantic territory Galliano has owned for years, but somehow, seen in this laser-created futuristic light, its imagery jumped to a new relevance. Triumphantly desirable as the clothes were, their meaning seemed doubly poignant—mirroring a moment when a new technology was putting an old world out of business.

Source: Style.com

John Galliano 2010 Spring Collection

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Designer Clothes – Louis Vuitton 2010 Resort Collection

Designer Clothes – The French coquettes on Louis Vuitton’s Fall runway have set off for the beach. They’ve traded in their kinky above-the-knee lace-up boots for swashbuckling gold sequined open-toe numbers and replaced their satin and lace with nautical-stripe bustier dresses and bikinis or crisp khaki safari jackets and wide-leg, deep-cuff trousers.

Bags, belts, bracelets, and shoes are trimmed with rope details, but that’s about as overt as the Riviera referencing gets in this enjoyably saucy collection. A black silk plissé cocktail dress with a plunging neckline edged in gold embroidery and a tuxedo jacket that turns to reveal a sexy cutout back look just as likely to turn up at louche Paris hot spot Le Baron as they are on the boardwalk in Saint-Tropez.

Source: Style.com

Louis Vuitton 2010 Resort Collection

Designer Clothes – Prada 2010 Resort Collection

Designer Clothes – If the economy is getting to Miuccia Prada, her Resort collection didn’t show it. In sharp contrast to the austerity of her Fall show, this one had pretty draped-back dresses in camel color-blocked with pastels; cheeky scarf-print bikini briefs with ties at the hips, worn with neon-bright button-downs; and eye candy in the form of little duffel bags in colorful florals that matched the models’ ankle-tie sandals.

The bow was a recurring motif, appearing at the neckline and elbows of an asymmetrically draped black top, at the hem of narrow underskirts, and at the back of float-y, vaguely 1920’s-ish wallpaper-print dresses. The cumulative effect was appealingly unstudied. Call it Prada’s antidote for trying fashion times.

Prada 2010 Resort Collection

Source: Style.com

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Designer Clothes – Chloe 2010 Resort Collection

Designer Clothes – From the “Love to Love You Baby” soundtrack at Zac Posen to the slinky, obi-tied jerseys at Michael Kors, there has been a discernible disco vibe to Resort 2010. Hannah MacGibbon played the flip side of the seventies at Chloé—think Annie Hall meets Laura Ashley.

There were two basic looks: high-waisted pants, blouse, and jacket, or silken dresses with either puffed shoulders or pleats. If the cross-back overalls looked jejune, the lined waterproof capes, carried over from Fall, weathered the transition nicely.

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Designer Clothes – DKNY 2010 Spring Collection

Designer Clothes – When Donna Karan launched DKNY in 1989, its streetwise, fast-fashion ideas were a welcome innovation. Now, going on the ripe old age of 21, it’s the grand ma’am of a slew of secondary and contemporary collections. Yet DKNY’s raison d’être remains a youthful New York state of mind. There’s evidence of that in the way the collection has been shown in the past: in breezy presentation format, cleverly bopping around the city from Pastis to Lever House to the Karan-owned Stephan Weiss Studio.

Today we were back at the latter, but this time the designer had opted for a proper seated runway show, and that inevitably raised the question of whether the pomp befits these clothes. Named City in Bloom, Karan’s collection played neutrals off a host of florals, including charming little peonies and splashy floral-camo and -graffiti prints that were decidedly less so. There were endless propositions of the suit: boyfriend jackets paired with little cuffed shorts or slouchy pegged pants—even a silk bomber with matching sweatpants. Biker shorts, strangely named Smoothies, were worn under every dress and short.

Runway worthy? Perhaps not, but it was certainly filled with items that might make great additions to any girl’s rotation. You could easily envision a model nicking a fab little sage silk romper to hit her go-sees. Here’s one idea: Why not ask those model fans to style their own outfits? It’s an approach that would be more in line with the DKNY spirit.

DKNY 2010 Spring Collection

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Designer Clothes – Lacoste 2009 Resort Collection

Designer Clothes – Yes, that was a soundtrack of crickets chirping to accompany your entry into the Lacoste show—it was meant to evoke creative director Christophe Lemaire’s idyllic Provençal childhood summers (who knew Arles has something in common with Akron?). And that’s where Lemaire began—in Arles, not Akron, that is, via breezy by-the-pool shirtdresses over crocheted bikinis and all manner of crisp, pale cottons worn with leather sandals, rope belts, and straw bags spilling over with wildflowers.

The designer then amped up the sport factor and color quotient in a sherbet-hued group of striped polo dresses and a slew of one-piecers—jumpsuits, rompers, and even a set of hooded terrycloth bodysuits. But the news here was the debut of the label’s younger and, accordingly, less expensive line, unofficially named Red!. As he does with most of his runway oeuvre, Lemaire made a clear and bold visual statement, splicing his mod inspiration with golf gear in a punchy palette of black, white, and green.

Mondrian-esque shifts with golf shoes made the point, but most girls (who aren’t Annika Sorenstam) will probably flock to the less thematic merch, like the checkered windbreakers, cropped pants, and newly tightened and brightened polos with a maximized crocodile—going back to the heart of what brings us here in the first place.

Lacoste 2010 Resort Collection

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Designer Clothes – Burberry Prorsum 2010 Spring Collection

A shining, silver paillette-encrusted trenchcoat sparkling on the runway as metallic confetti rained down: This is the memory London fashion week will have of its 25th anniversary—and the Burberry show that ended it. There was more young glamour per foot here than the city’s ever witnessed in a front row. Emma Watson was present, and so were Gwyneth Paltrow, Mary-Kate Olsen, Victoria Beckham, and Daisy Lowe; Freida Pinto and Dev Patel were holding hands. And every piece Christopher Bailey showed could have been worn by any one of them: The message was Burberry gone short, draped, deluxe, and glamorous, and aimed at the very young.

Returning from Milan to London could have meant a wallow in heritage nostalgia. Not a bit of it. Instead, Bailey brought all the high-gloss international production values he knows back to his home city, and made sure the label’s history—namely, the iconic trench—looked alive and relevant to the 18- to 25-year-olds in the audience. From the fashion point of view, the reinvention of the beige, military-inflected coat is perfectly timed. Not only are tones in the range of camel and nude spot-on for the season, but military references are cropping up in many places as well.

Bailey’s way of developing it had nothing to do with anything as dull as the English weather. All the emphasis was on building up a glamour shoulder, with a tied reefer’s knot on the upper outside edge of each arm. All kinds of sexy tulle draping, meanwhile, were worked into what went on below. Having neatly scooped up those trends (along with a passing pastel moment), Bailey took pleasure in teasing out yet more possibilities. He showed some of the incredible techniques and fabrics Burberry has access to, like silvered gabardine and sliced suede made into hot leggings. In the end, though, this show may be most significant for the way in which it closed the gap between a public and private fashion event. In the front row, Paltrow, Pinto, and Patel were wearing pieces from the outfits that were walking the runway. And at Burberry’s flagship in the center of London, the show was being Livestreamed to the public.

Burberry Prosum 2010 Spring Collection

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Vivienne Westwood Red Label 2010 Spring Collection

Designer Clothes – Given Dame Westwood’s memorably unmediated declaration that she had nothing to do with her Red collection, she has been remarkably well-served by whoever is responsible. They’ve managed to commercialize her Queen Mother-on-crack aesthetic so that it plays to a whole new audience of pop-ettes, a posse of whom were parked in the front row, alongside hoary old fans like Boy George. The pop-ettes cheered lustily every time Pixie Geldof, one of their own, passed by on the catwalk, trying her hardest to cop some bad-girl attitude.

Once, that would have been entirely in keeping with the clothes, but it’s funny how Viv’s fashion radicalism has devolved into the kind of decorous dresses that would be suitable for a garden party at the local vicarage: tulip-printed (paired with a white cardigan); draped and polka-dotted with a portrait neckline. Even her exaggerated forties-styled tailoring, for all its asymmetrical touches, now looks more and more conservative (though a brocade jacket and swagged lilac skirt on Coco Rocha proved that Westwood’s va-va-voom factor remains undiminished). For Spring, Red occasionally mixed up the classicism with argyle-patterned short shorts, or diaper shorts, or a pair of drop-crotch linen pants cut on the bias. But what ultimately lingered were the high-waisted gray trousers worn with a lilac blouse, a distinctly ladylike counterpoint to the save-the-rain-forest message the dame printed on her invitation.

Vivienne Westwood Red Label 2010 Spring Collection

Source: Style.com

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“I wanted to see shoulders, waists, and legs this season,” – Rebecca Taylor 2010 Spring Collection

Designer Clothes – Leopard prints and pretty florals are virtually guaranteed at Rebecca Taylor, but for Spring her flair for the sweetly feminine was tempered by stronger silhouettes. It was one of her freshest collections to date.

Gone were Taylor’s once-staple floaty peasant dresses. In their place: polka-dot high-waist denim shorts, metallic trousers with elastic cuffs, and quilted boyfriend jackets in bright tulip prints. And while there were still plenty of ruffles to keep fans happy, they were best in small doses. (A dramatic organza dress worn by Kinée Diouf, by contrast, appeared ready for liftoff.) All told, it was an engaging effort that will be well received by city girls who prefer to walk on the sunny side of the street.

Source: Style .com

Rebecca Taylor 2010 Spring Collection

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